Canon EOS-1Ds Mark III - ZEISS ZF 35/2,8 DISTAGON -
iso100 - f4 - 1/40 - Michael Grobe
Canon EOS-650 - Kodak Ektachrome 100 - Michael Grobe
What is a classic sports car all about? What makes it so desirable that you switch off your rationality and don´t even think about it´s uselessness for daily transport? Emotions - there are cars that deliver pure emotions. When you approach, you get weak knees in anxious expectation of sliding into the drivers seat. The cockpit fits you like a tailor-made suit, you sit just a few inches above the asphalt, that soon will fly beneath. The design is futuristic and almost timeless, not the average modern day car, but a masterpiece of one of the few world class designers.
John Z. DeLorean`s DMC-12 is one of those cars. Designed by Giorgio Giugiaro and developed with the support of Colin Chapman`s Lotus, the car became a stainless steel gullwing beauty - dream of an extraordinary man.
By the way... the first photo shows the smooth rendering of the Contax ZEISS AE 35/2.8 truly a great lens delivering a destinctive and admirable look. I highly recommend the ZEISS ZF lens line for shooting with a high resolution camera, that needs only the best lenses to deliver the maximum quality.
Canon EOS-1Ds Mark III - EF 24-105mm 1:4L IS USM - iso200 - f6.3 - 1/160 - Michael Grobe
Canon EOS-1Ds Mark III - EF 24-105mm 1:4L IS USM -
iso200 - f5.6 - 1/100 - Michael Grobe
Caught some of the monkeys on Elephanta Island in Mumbai harbor with the 24-105mm, a great walk-around-lens for all occasions, where you just want to carry a single lens with your camera. But the EF 70-200mm 1:2.8L IS USM feeds the demanding 21MP of the 1Ds with better quality in terms of detail, sharpness and the bokeh is also much more pleasing and “alive”.
To explore the real capabilities of the 1Ds mk III there are a few special lenses beyond the best Canon L glasses: the ZEISS ZF lens line, some medium format lenses or the legendary LEICA 90mm f/2 APO-Summicron-R ASPH, which all can be used manually with adapters on an EOS body. For my professional work, where I demand high resolution, I use a Contax ZEISS AE 35/2,8 DISTAGON. Manual focus is anyway the way to go with live view from a tripod for perfect focus and manual stop down is a burden to take for that extra quality.
Go and get a review of the ZEISS ZF lenses from Diglloyd, worth every dollar, as the author provides one of the most comprehensive and detailed reviews to be found on the net.
If you are a Nikon shooter, the ZEISS ZF line is a no brainer, as you get it with Nikon lens mount originally, so it is manual focus, but no manual stop down. The author of this blog has been called “young enough to wait for a Canon EF mount version of the ZEISS lenses” by a ZEISS executive during a photo trade show in Mumbai, India in early 2008... whatever that means, a few months or a few years?
The LEICA 90/2 APO is very high on the wish list, if just the price of that good-old-german glass was a tad more on the casual side...