goodby germany

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Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso1600 - f/2.8 - 1/1600

Winter is closing in, fall has taken over with cold and foggy grayness. A silhouette defying the cold october evening enjoys the last light of the sun on “Olympiaberg” in Olympiapark, Munich.
Time to leave the country for a warmer place...
Once in a while I like to name these posts after songs, this one is “Goodby Germany” from “And One”. The right music for the moment is the soundtrack to my life.
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night trip

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Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso3200 - f/2.8 - 1/250
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Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso3200 - f/2.8 - 1/250

Late night encounters on “Olympiasee” in Munich’s Olympiapark.
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take off

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Canon EOS-1Ds Mark III - EF 24-105mm 1:4L IS USM -
iso400 - f/5.0 - 1/6400 - HDR composite of 3 exposures

To get the detail in the clouds and the shaded underside of the lantern, a HDR capture was necessary. 3 shots (-1.3 ev, 0 ev, +1.3 ev) were merged in Photomatix. As a fast moving object, the bird was only in the first exposure (0 ev), so that guy is technically LDR (low dynamic range), only the background and the lantern are merged. I had to wait a while and shoot a few times, to get this one. Birds tend to do what they want, not what the photographer would love them to do...
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dark fields

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Canon EOS-1Ds Mark III - EF 16-35mm 1:2.8L II USM - iso200/400 - f5.6 - 20sec/30sec
- composite of 6 images - Lighting by Udo Smutny and Michael Grobe


Another bavarian lightpainting...
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he who walks behind the rows

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Canon EOS-1Ds Mark III - EF 16-35mm 1:2.8L II USM - iso200/400 - f5.6 - 20sec/30sec
- composite of 6 images - Lighting by Udo Smutny and Michael Grobe

Another composite of my last lightpainting session in bavarian outskirts. Luckily there was no wind, so the leaves were kind enough to hold still for all the 20-30 sec exposures. Backlight is again a 1 million candle power halogen spot, front lighting is a rather blueish led-flashlight. The colors have been graded to taste and the layers have been handpainted on top of each other to reveal the right amount of light for key, fill and rim.
Inspired by Stephen King`s “Children of the Corn.
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reach for the stars

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Canon EOS-1Ds Mark III - EF 16-35mm 1:2.8L II USM - iso200/400 - f5.6 - 20sec/30sec - composite of 8 images - Lighting by Udo Smutny

What do you do during a nice summer evening at the bavarian countryside...
First you have a proper “barbecue” - we call it “Grillen”, which requires lots of dead meat and beer or “Radler” for the ones like me.
Then at midnight you go into the wild for some shooting. Grab your camera, tripod, a few lenses and lots of light...
Lightpainting... a technique I used for some surrealistic photographs 20 years back and recently re-discovered. You shoot at night outdoors or in a dark studio indoors with a long exposure (e.g. 20 sec or as long as necessary) and reveal your objects by lighting them in painting style. You use your light source like a brush.
While often photographers try to light everything in one exposure, I prefer a different approach for static objects. I light every part of the image on separate exposures and combine them later in Photoshop. That leaves me much more control and freedom to create the desired lighting and I guess it is a tribute to my history as a Technical Director, lighting shots for feature films in the realm of 3D computer graphics.
For the shot above, 8 exposures were taken, a 30sec at iso400 for the stars and 7 20sec at iso200, while lighting the objects with a 1 million candle power (55 watts) halogen spotlight. The spotlight needs to be in constant movement to prevent hotspots, smooth circling provides softer light. The blue color was introduced later in Photoshop, easily possible, if the objects are lit on separate exposures.
I am going to get lights with 2 million candle power, as that will enable me to shoot at iso100 without extending the exposure times further, resulting in better image quality due to lesser noise.
Lightpainting is a technique, which I will explore deeper, it is great fun and delivers the unusual covered in darkness. It is for the night creatures, who love to be on the move, when others sleep...
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last exit for the lost





lastexit



where the night has become elizium
for the sleepless souls
and our days to come
may be i'll just pass away
or may be i'll stay
but i feel alive with you
and i feel some kind of heaven
hear me
give me some kind of heaven


At The Gates Of Silent Memory

Fields of the Nephilim






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dark forest

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Canon EOS-650 - Kodak Ektachrome 100

Another slide-scan of photographs, which I took during my first stay in New Zealand in 2003. Cold morning mist covers the snowy top of the mountains while the forest still sleeps in darkness. It is the most amazing and beautiful country I have seen and I would love to stay there, if it wasn´t at worlds end...
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dark wings

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Canon EOS-1Ds Mark III - EF 24-105mm 1:4L IS USM - iso200 - f7.1 - 1/800

“people once believed that when someone dies, a crow carries their soul to the land of the dead” - proem of “The Crow”
I don´t know if that bird there is even a crow, but it reminds me deeply of that movie, a favorite of mine and makes me wonder, how many great cinematic moments Brandon Lee could have given the audience, if he didn`t die while shooting that film.
So get the soundtrack from the movie, put on your headphones and fly away gothic style with “The Cure: Burn”...
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dark moon

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Canon EOS-1Ds Mark III - EF 24-105mm 1:4L IS USM - iso400 - f6.3 - 3.2sec

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Canon EOS-1Ds Mark III - EF 24-105mm 1:4L IS USM - iso400 - f5.6 - 1.3sec

Some night shots at Royal Palms Estate, Mumbai, India taken in March 2008. In that “satellite city in the jungle” photography is not allowed. I managed to shoot for half an hour, before some guards came on a motorcycle and asked me to stop. One thing often helps in India with these problems, you immediately switch to your mother language... dann versteht man dich nicht mehr, man selber spielt den Unwissenden, der die anderen nicht versteht... und mit etwas Glück löst sich das Problem durch gehörige Entnervung des Gegenübers.
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dark waves

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Canon EOS-1Ds Mark III - EF 16-35mm 1:2.8L II USM - iso400 - f8.0 - 25sec

I love darkness. This one a 25 sec. exposure of the ocean waves coming and going between the rocks in Goa, India in March 2008. Note the spooky guy on the left. As it was almost pitch black, I couldn´t see him, he must have stood still for the whole exposure, probably a fisherman...
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