White Storm : Bruno Werneck
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VFX Supervisor Los Angeles.USA. 2011

Supervising the pre-production and the shoot for a trailer in L.A. in May 2011, including greenscreen studio work, plates and vfx photography in Death Valley, as well as set photography of the cast. The vfx is still in production.

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2012 : Roland Emmerich : Sony Pictures
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CG Supervisor at Uncharted Territory / Sony Pictures.Los Angeles.USA. 2008/2009

Supervising a team of 50 artists at the Uncharted Territory / Sony Pictures in-house VFX unit for Roland Emmerichs "2012". Set photography, supervision of the photography team.Consulting on workflows, pipelines and project management. The in-house unit was setup from scratch to deliver two main sequences of the movie, the Los Angeles earthquake and the Las Vegas flyover sequence. The Uncharted Territory team created 422 shots of the movie's 1315 effects shots.

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Delhi 6 : Rakesh Omprakash Mehra : UTV
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VFX Consultant / Supervisor for Prime Focus Ltd. Mumbai.India. London.UK. 2008

Set supervision. Consulting and setup of workflows for the VFX post-production at Prime Focus. Training of artists, producers and VFX supervisors in various fields: Color management, 3D environment projection techniques, set supervision and data collection, data and project management, etc.


Lovestory 2050 : Harry Baweja : Baweja Movies / Adlabs Films
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VFX Consultant / Supervisor for Prime Focus Ltd. Mumbai.India. London.UK. 2008

Set supervision for the shoot in New York. Consulting and setup of workflows for the VFX post-production at Prime Focus as the main vendor for the film's visual effects. Training of artists, producers and VFX supervisors in various fields: Color management, 3D environment projection techniques, set supervision and data collection, data and project management, etc.

Saawariya : Sanjay Leela Bhansali : Sony Pictures
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VFX Consultant for Prime Focus Ltd. Mumbai.India. London.UK. 2007

Consulting and setup of workflows for the VFX post-production at Prime Focus as the sole vendor for the film's visual effects. Training of artists, producers and VFX supervisors in various fields: Color management, 3D environment projection techniques, set supervision and data collection, data and project management, etc.


The International : Tom Tykwer : Sony Pictures
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Previsualization Consultant for Tom Tykwer.Berlin.Germany. 2006/2007

Consulting director Tom Tykwer and dop Frank Griebe on the previsualization of the action sequences (the "Guggenheim" sequences).




Dungeon Siege: In the Name of the King : Uwe Boll : BOLU Filmproduktion
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CG Supervisor at Das Werk.Frankfurt.Germany. 2006

Supervising the 3D team creating the full cg backgrounds and evironments for the "throneroom" sequence of the effects heavy movie.



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King Kong : Peter Jackson : Universal Pictures
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Lighting TD at Weta Digital.Wellington.New Zealand. 2005

Lighting shots of the „Skull Island T-Rex Fight“, „Ann`s Sacrifice“ „Kong`s Capture”,
“Venture to Skull Island” and „Kong On Ice” Sequence, including complex creature lighting of Kong, Dinosaurs and Digidoubles.Developing of special generic Firelights for the “Ann`s Sacrifice” Sequence, lighting of the main shots of that sequence, developingthe default lighting rig for the “Kong on Ice” Sequence during look-development.

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Es ist ein Elch entsprungen : Ben Verbong : Sam Film
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Senior Technical Director at Sevenbits.Munich.Germany. 2005

Creating dynamic simulations for several sequences of the movie.




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Hitchhiker's Guide to the Galaxy : Garth Jennings : Disney / Spyglass
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3D Sequence Supervisor at Cinesite.London.UK. 2005

Supervising 3D artists working on the „Earth Mark II“ sequence. Developing workflows, finalizing shots.



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AVP: Alien vs. Predator : Paul W.S. Anderson : 20th Century Fox
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Lighting Sequence Supervisor at Cinesite.London.UK. 2004

Working parallel on „Alien Vs. Predator“ and „King Arthur“.Developing workflows and Lighting-pipelines.Supervising Lighting TD`s on the "Facehugger" sequences of Alien vs. Predator.



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King Arthur : Antoine Fuqua : Disney / Bruckheimer
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Lighting Sequence Supervisor at Cinesite.London.UK. 2004

Working parallel on „Alien Vs. Predator“ and „King Arthur“.Developing workflows and Lighting-pipelines.Supervising Lighting TD`s for 50 shots of the „Final Battle" sequence.



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The Lord of the Rings: Return of the King : Peter Jackson : New Line Cinema
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Lighting TD at Weta Digital.Wellington.New Zealand. 2003

Lighting shots of the „Rohan Charge on Pelennor Fields“, „Witchking vs. Theoden“ and „The Battle at the Black Gates“,including complex creature lighting (fellbeasts, eagles, trolls, horses/riders) and extensive „Massive“ CG-armies.


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Tomb Raider: The Cradle of Life : Jan de Bont : Paramount
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Technical Director at Double Negative.London.UK. 2002/2003

Developing a workflow for generating, animating and rendering of digital seaweed for the underwater-sequence of the movie.Delivering the seaweed from scratch to lighting and final rendering.


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007 James Bond: Die Another Day : Lee Tamahori : MGM
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Lighting TD at Cinesite.London.UK. 2002

Lighting and Shading for the Wave-sequence of the movie. Finishing of several FX-Shots.




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Anatomie 2 : Stefan Ruzowitzky : Columbia Pictures
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Lead Artist at ARRI Digital.Munich.Germany. 2002

Leading the 3D department. Set supervision in March/April 2002.






Vortex : Michael Pohl : Candela Film / Fieber Film
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Lead Artist at ARRI Digital.Munich.Germany. 2000

Charactermodeling, texturing, shading and lighting of monster-bugs for a SciFi-Feature Film.VFX Consulting on set during live action shooting.



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Expo 2000 : 720 Grad : KUK Film
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3D Artist at ARRI Digital.Munich.Germany. 1999

Working on a multi-screen feature film for the German Pavilion at the Expo 2000 in Hannover.Creating a digital 360 degrees environment of Berlin, rendered onto 9 screens at film resolution.


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Oceanis Jet : KUK Film
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3D Artist at ARRI Digital.Munich.Germany. 1999

Working on a motion ride for the OCEANIS Themepark at Wilhelmshaven.Germany.Modeling, animating, shading and lighting of underwater environments, submarines, underwater stations, simulation of particle debris.


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Der Fleck : HDM
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3D and 2D visual effects at HDM.Stuttgart.Germany. 1998

Set supervision, 3D modeling, texturing and shading of CG flies. All 2D composites.




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Expo 2000 Jet : KUK Film
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3D Artist at ARRI Digital.Munich.Germany. 1998

Working on a motion ride for the Expo 1998 in Lissabon.Animating, shading and lighting of submarines, fishes and simulation of particle debris,which were combined with a motion-control-shot miniature underwater station.


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Traeumer : HDM/ARRI

3D and 2D visual effects at ARRI Digital Film.Munich.Germany. 1997

All visual effects, including on set greenscreen and miniature work.


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